A boy in a brown cowboy hat...
A boy in a brown cowboy hat
—like the red one I had as a kid—
wanders through eerie silence
past taxidermied bison and grizzly bear.
The Indian moves,
the boy fires his cap gun.
Thus we meet Johnny Depp's Tonto
in Gore Verbinski's "The Lone Ranger."
Lone Ranger stories have maybe always been
about how we see the past.
When George W. Trendle first broadcast in 1933,
the Lone Ranger was part of a west being won.
In 1949, Jay Silverheels' Tonto
rode alongside Clayton Moore's Lone Ranger,
who, like other superheroes, wore a mask
an icon of American initiative and justice.
Whatever else critics might say
about Verbinski's telling,
we feel the loss to our humanity
as life fades from Chief Big Bear's eyes.
We see "the rule of law"
can mean the rule of one kind over others.
And I understood how Mom made John Donne possible
by not letting me play “cowboys and Indians.”
“Any man's death diminishes me
because I am involved in mankind,
And therefore never send to know for whom the bell tolls;
it tolls for thee.”
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